A modern homage to Agatha Christie’s Poirot.
Writing under the Agatha Christie name, Sophie Hannah has crafted an immensely complicated murder. The premise is fantastic – a woman tells Poirot not to prevent her death at the same time that three people are murdered in an elegant London hotel, monogrammed cufflinks in their mouths.
Recounting this story is a detective named Edward Catchpool, modeled after many companions who do not understand Poirot. The main difference being Catchpool’s feelings are treated with equal weight to the murder plot. So we learn a lot about Catchpool’s fear of dead bodies, which made his chosen profession of homicide detective rather odd.
The three odd deaths are soon traced to a village tragedy, but Poirot and Catchpool struggle continuously against a parade of partial truths and side characters. During the final denouement, things twist around repeatedly and confusingly. Yet even when the entire story comes out, it remains slightly convoluted.
The main plot was genius. I would’ve loved a little more period detail, and a dash less moaning in Catchpool, to find it an utterly delightful Christie. The addition of the subplot felt unneeded and I was surprised by Catchpool feeling even a slight moral dilemma about the murderer.
A solid addition to Christie’s canon of works, I look forward to trying the next one.