There are as many kinds of editors as there are writers. From the editor who gives you feedback and lets you decide how to address it all the way to the editor who rewrites your work like a plastic surgeon.
On the extreme end is the legendary short story writer Raymond Carver and his editor Gordon Lish. Lish made such deep changes to the stories, that they are almost like a joint work.
In one story, Raymond’s original ending:
For myself, I knew I wouldn’t forget the sight of that arm emerging out of the water. Like some kind of mysterious and terrible signal, it seemed to herald the misfortune that dogged our family in the coming years.
—is transformed into the dry, ironic and Hemingway-esque:
That arm coming up and going back down in the water, it was like so long to good times and hello to bad. Because it was nothing but that all the years after Dummy drowned himself in that dark water.
I had a very fine editor who pointed out numerous plot holes and areas for improvement. Our collaboration forced me to think through various pieces and sometimes make sweeping changes. I definitely appreciated and would work with her again, although a part of me wanted the plastic surgeon approach.
Which do you prefer?
This has been a long week. I’ve had grueling work deadlines and fires. I got my manuscript back from the editor, which means I’m removing characters, fixing backstory and trying to finish all the edits before it is due back.
So I’m really, really happy to hear my flash fiction (~700 word) mystery was accepted for the April edition of Flash Bang Mysteries! They are a quarterly magazine with excellent work. If you check out their contributor bios, you’ll see they have a wonderful mix of well established and emerging authors.
I’m very excited to share that my first short mystery has been published in Mystery Weekly magazine!
Knightshayes Court, located in Tiverton, Devon is the perfect place for rare books and a spot of murder…
Faith Allington’s “The Death at Knightshayes Court” is a more traditional offering in the style of Agatha Christie. Set on an English estate in the twenties, a rare book dealer must clear his own name in the poisoning death of a young heiress. All of the ingredients for an old fashioned parlour mystery are here: an inheritance, servants, suspicious guests, and a classical denouement where the killer and their motives are revealed.
You can read story previews and subscribe at mysteryweekly.com.
This issue is also available in print and digitally at Amazon.
Happy New Year!